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Throughout this journey, he carried his notebook and medium-format cameras in his pack, determined to document all that he experienced. In the pages of this issue, his writings and photographs provide us with an insight into the shifting mountain landscapes and social changes that have unfolded before him over the course of 24 years.\r\n\r\nAs always, we at TOO MUCH are concerned with what we call \"romantic geography\" — the ways people and landscapes continually make and remake one another. The compiled collection of more than two decades of photographs and journal entries by Naoki Ishikawa not only stands as a testament to the extraordinary physical feats required to scale the world's highest mountains but also reveals the political and cultural structures that shape these climbs, pointing to the ever-shifting balance of power in an increasingly commercialized Himalaya. Ishikawa noted that we might think of this work as a kind of topographical survey – one that shows where humans currently stand in relation to the most extreme places on the planet. Even here, humans and landscapes make and remake one another.\r\n\r\nIt is our great honor and joy to share with our readers Ishikawa's story and his work from his time in the Himalayas — thrilling endeavors that command deep respect.\r\n\r\n564 pages, 82 × 257mm, French-fold softcover\r\nEnglish\r\n\r\n*Two cover options are available, with identical interior content.\r\n\r\n＊本号には日本語冊子は付属しません。\r\n＊表紙は2種類からお選びいただけますが、内容は同一です。","has_option_groups":false,"options":[{"id":473740563,"name":"Work 3 — Naoki Ishikawa \"24 Years in the Himalayas\" (Gasherbrum Glacier Cover)","price":9900.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":700.0,"amount_with_others":700.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":2020.0,"amount_with_others":2020.0,"country":{"id":9,"name":"China","code":"CN"}},{"amount_alone":2310.0,"amount_with_others":2310.0,"country":{"id":18,"name":"Hong Kong","code":"HK"}},{"amount_alone":2310.0,"amount_with_others":2310.0,"country":{"id":126,"name":"Indonesia","code":"ID"}},{"amount_alone":2020.0,"amount_with_others":2020.0,"country":{"id":35,"name":"Korea, Republic of","code":"KR"}},{"amount_alone":2310.0,"amount_with_others":2310.0,"country":{"id":27,"name":"Malaysia","code":"MY"}},{"amount_alone":2310.0,"amount_with_others":2310.0,"country":{"id":34,"name":"Singapore","code":"SG"}},{"amount_alone":2020.0,"amount_with_others":2020.0,"country":{"id":39,"name":"Taiwan","code":"TW"}},{"amount_alone":2310.0,"amount_with_others":2310.0,"country":{"id":40,"name":"Thailand","code":"TH"}},{"amount_alone":3930.0,"amount_with_others":3930.0,"country":{"id":43,"name":"United States","code":"US"}},{"amount_alone":3220.0,"amount_with_others":3220.0}]},{"id":116769096,"name":"Work 3 — Naoki Ishikawa \"24 Years in the Himalayas\" (Renjo La Cover)","permalink":"issue12-brown","position":2,"url":"/product/issue12-brown","status":"sold-out","created_at":"2025-12-13T01:24:27.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/418024824/IMG_7682.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/418029654/IMG_7683.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/430825263/IMG_7687.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/418029663/IMG_7686.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/418029669/IMG_7705.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333}],"price":9900.0,"default_price":9900.0,"tax":0.0,"on_sale":false,"description":"In the twelfth issue of TOO MUCH: Magazine of Romantic Geography, we present a sweeping retrospective of photographer and traveler Naoki Ishikawa's work, tracing his journeys through the Himalayas since he first set foot in Tibet in 2001.\r\n\r\nThe Himalayas have remained central to the exploration and work of Ishikawa — by 2024, he had worked through the tremendous mountain range, summiting all 14 of the world's eight-thousand-metre peaks. Throughout this journey, he carried his notebook and medium-format cameras in his pack, determined to document all that he experienced. In the pages of this issue, his writings and photographs provide us with an insight into the shifting mountain landscapes and social changes that have unfolded before him over the course of 24 years.\r\n\r\nAs always, we at TOO MUCH are concerned with what we call \"romantic geography\" — the ways people and landscapes continually make and remake one another. The compiled collection of more than two decades of photographs and journal entries by Naoki Ishikawa not only stands as a testament to the extraordinary physical feats required to scale the world's highest mountains but also reveals the political and cultural structures that shape these climbs, pointing to the ever-shifting balance of power in an increasingly commercialized Himalaya. 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We're pleased to see continued requests from readers and bookstores to purchase the issue. As a result, we have decided to publish an expanded edition featuring a new cover, new binding and additional content showcasing Schemata's latest project.\r\n\r\n---\r\nIssue 10 of TOO MUCH: Magazine of Romantic Geography takes a deep dive into the idiosyncratic oeuvre of Schemata Architects. Founded in 1998 by Jo Nagasaka, Schemata is a Tokyo-based practice that works across architecture, interior and furniture design.\r\n\r\nIn the preceding edition of TOO MUCH, our readers discovered the ingenious adaptations of vernacular Japanese architecture by the burgeoning Muslim population. The minimalist yet impactful repurposing of spaces as improvised places of worship set the stage for our exploration of Schemata's unique ethos in this milestone 10th issue.\r\n\r\nJo Nagasaka, the creative force behind Schemata Architects, introduces the concept of \"pluralistic architecture,\" emphasizing spaces continually shaped by diverse perspectives. Nagasaka's deliberate embrace of open-ended designs allows for adaptation and even \"misuse\" of spaces, challenging traditional notions of architecture.\r\n\r\nThis issue invites readers on a captivating tour of Schemata's projects, both past and present, examining how Nagasaka's pluralistic philosophy transforms preexisting spaces. The essence of \"semi-architecture,\" as manifested in Schemata's intentionally understated works, starkly contrasts conventional architectural norms.\r\n\r\nThrough the lens of our ongoing series \"Work,\" this volume provides the second installment, focusing on how individuals, in this case, Schemata Architects, dynamically transform landscapes through innovative use of biological, psychological and social resources. The issue encourages readers to reconsider their perception of architecture and design, offering a romanticized perspective that navigates toward a fresh, immersive experience of space.\r\n\r\n310 pages, 182 × 257mm, French-fold softcover\r\nISSN:977-2187670000-11","has_option_groups":false,"options":[{"id":446939220,"name":"Work 2 — Schemata Architects (Second Edition)","price":4400.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":2600.0,"amount_with_others":2600.0,"country":{"id":43,"name":"United States","code":"US"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":35,"name":"Korea, Republic of","code":"KR"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":39,"name":"Taiwan","code":"TW"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":9,"name":"China","code":"CN"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":18,"name":"Hong Kong","code":"HK"}},{"amount_alone":2200.0,"amount_with_others":2200.0},{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}}]},{"id":111476928,"name":"Lee Kwangho — Obsession","permalink":"lee-kwangho-obsession","position":4,"url":"/product/lee-kwangho-obsession","status":"active","created_at":"2025-01-19T07:13:34.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/397849176/IMG_7369.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1334},{"url":"https://assets.bigcartel.com/product_images/397849206/IMG_7377.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1334},{"url":"https://assets.bigcartel.com/product_images/397849215/IMG_7372.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/397849209/IMG_7373.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/397849185/IMG_7387.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333}],"price":6600.0,"default_price":6600.0,"tax":0.0,"on_sale":false,"description":"This book was published in conjunction with Korean artist and designer Lee Kwangho's exhibition, \"Obsession,\" held in Tokyo in 2024. The allure of Lee's work lies in his ability to transform mundane materials like ropes, PVC tubes and electrical wires into mysterious, organic forms through the repetitive process of hand-weaving. This process, which appears to be infused with his spirit, transcends mere beauty and vibrancy, embodying a certain magic that Lee has named this series \"Obsession.\"\r\n\r\nThe book includes photographs of Lee's studios in Hanam and Seongsu, South Korea, taken by Akinobu Maeda, alongside images of the exhibited works at the exhibition in Tokyo, captured by Go Itami. An exclusive interview conducted at the Hanam studio also offers insights into Lee's background, the motivation behind his repetitive process and his perspectives on the current Korean cultural scene.\r\n\r\nBiography\r\nLee Kwangho was born in Guri, Gyeonggi-do (b. 1981), South Korea. He received his Bachelor of Arts in 2007 from Hongik University, majoring in Metal Art and Design. Lee lives in Guri and Jeju Island and works in Seoul and Hanam.\r\n\r\n68 pages,  214x290x7mm, Hardcover\r\nEnglish / Japanese\r\n\r\nThis title will be shipped with a tracking number.","has_option_groups":false,"options":[{"id":446773320,"name":"Lee Kwangho — Obsession","price":6600.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":500.0,"amount_with_others":500.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":1500.0,"amount_with_others":1500.0,"country":{"id":9,"name":"China","code":"CN"}},{"amount_alone":1500.0,"amount_with_others":1500.0,"country":{"id":35,"name":"Korea, Republic of","code":"KR"}},{"amount_alone":1500.0,"amount_with_others":1500.0,"country":{"id":39,"name":"Taiwan","code":"TW"}},{"amount_alone":1900.0,"amount_with_others":1900.0,"country":{"id":18,"name":"Hong Kong","code":"HK"}},{"amount_alone":3000.0,"amount_with_others":3000.0},{"amount_alone":3700.0,"amount_with_others":3700.0,"country":{"id":43,"name":"United States","code":"US"}}]},{"id":104377063,"name":"Issue 10 – Work 2  Schemata Architects","permalink":"issue10","position":5,"url":"/product/issue10","status":"sold-out","created_at":"2023-12-29T06:34:14.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/374906233/IMG_5461.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/374906497/IMG_5468.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1332},{"url":"https://assets.bigcartel.com/product_images/374906503/IMG_5476.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/374906281/IMG_5500.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/374906230/IMG_5535.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1332}],"price":3850.0,"default_price":3850.0,"tax":0.0,"on_sale":false,"description":"Issue 10 of TOO MUCH: Magazine of Romantic Geography takes a deep dive into the idiosyncratic oeuvre of Schemata Architects. Founded in 1998 by Jo Nagasaka, Schemata is a Tokyo-based practice that works across architecture, interior and furniture design.\r\n\r\nIn the preceding edition of TOO MUCH, our readers discovered the ingenious adaptations of vernacular Japanese architecture by the burgeoning Muslim population. The minimalist yet impactful repurposing of spaces as improvised places of worship set the stage for our exploration of Schemata’s unique ethos in this milestone 10th issue.\r\n\r\nJo Nagasaka, the creative force behind Schemata Architects, introduces the concept of “pluralistic architecture,” emphasizing spaces continually shaped by diverse perspectives. Nagasaka’s deliberate embrace of open-ended designs allows for adaptation and even “misuse” of spaces, challenging traditional notions of architecture.\r\n\r\nThis issue invites readers on a captivating tour of Schemata’s projects, both past and present, examining how Nagasaka’s pluralistic philosophy transforms preexisting spaces. The essence of “semi-architecture,” as manifested in Schemata’s intentionally understated works, starkly contrasts conventional architectural norms.\r\n\r\nThrough the lens of our ongoing series “Work,” this volume provides the second installment, focusing on how individuals, in this case, Schemata Architects, dynamically transform landscapes through innovative use of biological, psychological and social resources. The issue encourages readers to reconsider their perception of architecture and design, offering a romanticized perspective that navigates toward a fresh, immersive experience of space.\r\n\r\n292 pages, 182 × 257mm, French-fold softcover\r\nISSN:977-2187670000-10","has_option_groups":false,"options":[{"id":415081762,"name":"Issue 10 – Work 2  Schemata Architects","price":3850.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":1500.0,"amount_with_others":1500.0},{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":2100.0,"amount_with_others":2100.0,"country":{"id":43,"name":"United States","code":"US"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":9,"name":"China","code":"CN"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":35,"name":"Korea, Republic of","code":"KR"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":39,"name":"Taiwan","code":"TW"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":18,"name":"Hong Kong","code":"HK"}}]},{"id":96176893,"name":"Issue 9","permalink":"issue9","position":6,"url":"/product/issue9","status":"active","created_at":"2023-01-18T11:47:20.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/374906329/IMG_5537.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/374906341/IMG_5538.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1334},{"url":"https://assets.bigcartel.com/product_images/374906374/IMG_5546.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1334},{"url":"https://assets.bigcartel.com/product_images/374906356/IMG_5553.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/374906377/IMG_5561.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1332}],"price":3300.0,"default_price":3300.0,"tax":0.0,"on_sale":false,"description":"TOO MUCH is a magazine about romantic geography. Its purpose is to document our collective experience of cities and look at the ways people and landscapes make and remake one another. \r\n\r\nIssue 9 began with a question that arose from events that occurred underneath our own city of Tokyo 27 years ago — the Tokyo subway sarin attacks of March 20, 1995. Revisit this devastating event – largely through Haruki Murakami’s seminal nonfiction, “Underground” — pushed us to examine the power of human narratives, particularly those pertaining to the divine. It has also led us to understand how our own experiences have been shaped by a belief in the power of other, more positive narratives of a world in flux.\r\n\r\n\r\nThis volume of TOO MUCH Magazine asks: Who is to say what is sacred?\r\n\r\nWe begin on the shores of the Okinawan islands, where we meet the Yuta shaman, who see people as characters playing roles in a larger narrative arc of life. We venture to the beguinages of medieval Europe to learn how women have related to the divine in ways that ensure their own earthly survival and independence. We visit mosques in contemporary Japan and elaborate festivals for ancestor worship in China. We look at the work of Jae-Eun Choi and Camille Henrot, which shows us how plants and trees can grow tall in desolate landscapes and emotional wastelands. We travel to the slopes of Osore-zan and hear the cries of crows and the bereaved before peering into the living room of Tadanori Yokoo and beholding the reclining Budhha and the Odalisque.\r\n\r\nIssue 9 of TOO MUCH Magazine ultimately explores the nature of the sacred in an increasingly profane world, taking us into our own belief structures — both old and new — and questioning what will remain and what may evolve as we move forward into the unknown.","has_option_groups":false,"options":[{"id":377944150,"name":"Issue 9","price":3300.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":2000.0,"amount_with_others":2000.0},{"amount_alone":2500.0,"amount_with_others":2500.0,"country":{"id":43,"name":"United States","code":"US"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":35,"name":"Korea, Republic of","code":"KR"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":39,"name":"Taiwan","code":"TW"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":18,"name":"Hong Kong","code":"HK"}},{"amount_alone":1200.0,"amount_with_others":1200.0,"country":{"id":9,"name":"China","code":"CN"}}]},{"id":107151024,"name":"SHOKKI — 108 Ways of Entering Nirvana","permalink":"shokki-108-ways-of-entering-nirvana","position":7,"url":"/product/shokki-108-ways-of-entering-nirvana","status":"active","created_at":"2024-05-17T02:09:11.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/383260305/IMG_5384.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1342},{"url":"https://assets.bigcartel.com/product_images/383260413/IMG_5569.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1333},{"url":"https://assets.bigcartel.com/product_images/383260311/IMG_5388.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1341},{"url":"https://assets.bigcartel.com/product_images/383260326/IMG_5396.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1341},{"url":"https://assets.bigcartel.com/product_images/383260308/IMG_5403.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2000,"height":1342}],"price":2200.0,"default_price":2200.0,"tax":0.0,"on_sale":false,"description":"Together with the ceramic label SHOKKI, the editors of TOO MUCH Magazine read \"The Sacred\" issue. 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Buddhism says there are 108 vexations in the human mind, and Yokoo's words guided SHOKKI to create 108 images of the reclining Buddha.⁣\r\n\r\nDesign: Akinobu Maeda \u2028 \r\nPhotography: Takeshi Abe \r\nPages: 40\r\nWidth: 182 mm \u2028 \r\nHeight: 257 mm  \r\nCover: Gatefold \r\nLanguage: English / Japanese","has_option_groups":false,"options":[{"id":427453875,"name":"SHOKKI — 108 Ways of Entering Nirvana","price":2200.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":500.0,"amount_with_others":0.0}]},{"id":83510898,"name":"Audrey Fondecave and Masanao Hirayama - 101 to 101","permalink":"101-to-101","position":8,"url":"/product/101-to-101","status":"active","created_at":"2021-10-26T10:20:42.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/323521005/IMG_8668.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":3000,"height":2000},{"url":"https://assets.bigcartel.com/product_images/323521008/IMG_8671.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":3000,"height":2000},{"url":"https://assets.bigcartel.com/product_images/323521014/IMG_8673.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":3000,"height":2000},{"url":"https://assets.bigcartel.com/product_images/323521029/IMG_8675.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":3000,"height":2000},{"url":"https://assets.bigcartel.com/product_images/328796376/IMG_8669.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":3000,"height":2000}],"price":2200.0,"default_price":2200.0,"tax":0.0,"on_sale":false,"description":"In 2020, during the pandemic, artists Audrey Fondecave and Masanao Hirayama began communicating through a game carried by post back and forth through a subdued city.\r\n\r\nAs an art student in France, Audrey was fascinated by the Surrealist game called Exquisite Corpse and decided to revive it years later. Exquisite Corpse is usually played by several participants — the first participant draws a picture on the edge of a long sheet of paper, folds the paper to hide the drawing, and hands it to the next participant to continue. When everyone has finished, the drawing is complete, and the paper is unfolded to reveal the whole picture.\r\n\r\nAudrey felt that Masanao Hirayama would be the perfect playmate to add a fun interpretation to this intuitive and fast-paced creation. Unable to meet face to face, the two began playing unusually, by exchanging partly concealed works in envelopes. The result was an entirely different rendering of Exquisite Corpse — individual drawings became entwined, integrating the artists’ personalities in a multiplicity of ways depending on who began the work and how much they added to it.\r\n\r\nAs Audrey recalls, \"Finding Masanao’s envelope in the mailbox always felt like a treat during a year that resembled a continuous lockdown.\" Even in depressing times, or perhaps because of it, their envelopes seem to be filled with humor and joy.\r\n\r\nWe have gathered together pieces from the yearlong exchange and compiled them in a book. A contemporary version of Exquisite Corpse, “101 to 101” transports you directly into the playful world of two artists, each inhabiting apartment number 101 in Setagaya and Shibuya wards.\r\n\r\nPrinted to coincide with the exhibition at Nidi Gallery Tokyo, November 26 - December 17, 2021. \r\n\r\nDesign: Akinobu Maeda \u2028 \r\nPhotography: Takeshi Abe\r\nFirst published: 2021 \r\nPages: 42 \r\nWidth: 182 mm \u2028 \r\nHeight: 257 mm  \r\nCover: Gatefold \r\nLanguage: English / Japanese\r\n\r\n未曾有のパンデミックが世界を襲う2020年に、アーティストのオードリー・フォンドゥカヴと平山昌尚は、あるゲームをしながら交流を深めていました。\r\n\r\nフランスでの美大生時代、「優美な屍骸」というシュルリアリストたちが始めた遊びに魅了されていたオードリーは、何年ぶりかに当時の楽しみを復活させようと思いつきます。通常、複数人の参加者によって行われるそのゲームは、１人目の参加者が細長い１枚の紙の端に絵を描き、その部分を折り曲げて隠し、次の参加者に渡して続きを描いてもらう。全員が描き終わった段階で完成となり、紙を広げて全体の絵を見る。\r\n\r\nこうした直感的でスピードを要する創作に、愉快な解釈を付け加えてくれるであろう適任の遊び相手として選ばれたのは平山昌尚です。直接会ってゲームをできない２人は、一部を隠した作品を封筒に入れてやりとりするという変則的なやり方で遊びを開始しました。どちらが描き始めるか、またお互いがどれだけ手を加えるかによって、２人の作家の個性が幾重にも重なり、それぞれの線描が絡み合います。結果として、これまでと異なる解釈の新たな優美な屍骸が生まれました。\r\n\r\n「いつ終わるともわからないロックダウンが続く日々にあって、郵便受けに昌尚さんからの便りを見つけると、いつもご褒美をもらったような気分になりました」とオードリーが振り返るように、封筒の行き来は１年を通して止まることがありませんでした。鬱々とした時代であろうと、いやだからこそ、彼らの封筒の中だけはユーモアや喜びに溢れているように見えます。\r\n\r\n１年間続いた交流から、いくつかの作品を選び本にまとめました。意気消沈した都市の中を、郵便配達員が何度も往復しながら運んだ２人による現代版の優美な屍骸「101 to 101」は、それぞれのアーティストが住む世田谷区と渋谷区の101号室にあった遊び心。ぜひご堪能ください。\r\n","has_option_groups":false,"options":[{"id":320009355,"name":"Audrey Fondecave and Masanao Hirayama - 101 to 101","price":2200.0,"sold_out":false,"has_custom_price":true,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":500.0,"amount_with_others":0.0}]},{"id":52490714,"name":"Naoki Ishikawa – The Himalayas","permalink":"naoki-ishikawa-the-himalayas","position":9,"url":"/product/naoki-ishikawa-the-himalayas","status":"sold-out","created_at":"2019-01-08T07:25:22.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247200263/IMG_9314-2.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":2400},{"url":"https://assets.bigcartel.com/product_images/247199714/IMG_9529.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1600,"height":1067},{"url":"https://assets.bigcartel.com/product_images/247199762/IMG_9530.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1600,"height":1067},{"url":"https://assets.bigcartel.com/product_images/247199789/IMG_9532.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1600,"height":1067},{"url":"https://assets.bigcartel.com/product_images/247199816/IMG_9538.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1600,"height":1067}],"price":4400.0,"default_price":4400.0,"tax":0.0,"on_sale":false,"description":"This is the second book in the series TOO MUCH: Romantic Geographic Archive. This series focuses on archiving individual memory of place, providing invaluable documentation of a world in a state of flux.\r\n\r\nThis book is the second edition of the past issue by TOO MUCH, The Himalayas, by photographer and traveler Naoki Ishikawa, which catalogues his work from 2011 to 2018 of climbing the highest peaks in the world. This new edition includes 300 of Naoki’s photographs and his most recent expeditions to Kanchenjunga and Amadablam.\r\n\r\nThe work of ascending is slow and difficult, and involves more than physical training. To successfully climb these mountains requires untangling a mess of Nepalese cultural politics, Asian geopolitics, unpredictable weather, emerging technology, fear and doubt. \r\n\r\nNaoki’s images and words allow us to explore a place inaccessible to most, a liminal space — we walk through temperate forests, along rivers, across grasslands and glaciers, climbing impossible stretches of rock and ice to reach the top of the Earth. \r\n\r\nSoaring above our cities, this is a pure and jagged landscape, one which does not care for humans. \r\n\r\nPages: 272 \r\nPrint run: 700 copies \r\nWeight: 1.0kg \r\nWidth: 193 mm \r\nHeight: 270 mm \r\nLanguage: English/Japanese \r\nCover: Hardcover","has_option_groups":false,"options":[{"id":190409549,"name":"Naoki Ishikawa – The Himalayas","price":4400.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":1600.0,"amount_with_others":1600.0}]},{"id":48794842,"name":"Issue 8","permalink":"issue8","position":10,"url":"/product/issue8","status":"sold-out","created_at":"2018-06-29T05:41:08.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247202315/IMG_9309.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2250,"height":3000},{"url":"https://assets.bigcartel.com/product_images/247201232/IMG_9467.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":1200},{"url":"https://assets.bigcartel.com/product_images/247201241/IMG_9470.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":1200},{"url":"https://assets.bigcartel.com/product_images/247201238/IMG_9474.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":1200},{"url":"https://assets.bigcartel.com/product_images/247201235/IMG_9477.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":1200}],"price":2800.0,"default_price":2800.0,"tax":0.0,"on_sale":false,"description":"In the eighth issue of TOO MUCH: Magazine of Romantic Geography we explore the shape of a shelter: a crystallization of our anxieties, a reflection of our desires, and a model of the dreamworlds we hope to inhabit.\r\n\r\nWe begin by entering Anne Hardy’s meticulously staged scenes, structures created from what is left behind, existing on a precipice. We move around Japan on a pilgrimage with Satoshi Murakami and his untethered house. We meet the North Face Development Team, which is in charge of creating a new iteration of the geodesic dome of the 1950s. We head to Kalobeyei to see Shigeru Ban’s plans for housing in the new settlement, and then visit the ruined towns in Fukushima with Bruno Latour.\r\n\r\nWe imagined this issue to be about physical shelter, but as we looked far beyond our windows in Tokyo, our idea of shelter became less cohesive and less human.","has_option_groups":false,"options":[{"id":184230556,"name":"Issue 8","price":2800.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":true,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":1500.0,"amount_with_others":1500.0},{"amount_alone":1100.0,"amount_with_others":1100.0,"country":{"id":9,"name":"China","code":"CN"}},{"amount_alone":1100.0,"amount_with_others":1100.0,"country":{"id":18,"name":"Hong Kong","code":"HK"}},{"amount_alone":1100.0,"amount_with_others":1100.0,"country":{"id":39,"name":"Taiwan","code":"TW"}},{"amount_alone":1100.0,"amount_with_others":1100.0,"country":{"id":35,"name":"Korea, Republic of","code":"KR"}},{"amount_alone":1800.0,"amount_with_others":1800.0,"country":{"id":43,"name":"United States","code":"US"}}]},{"id":50582461,"name":"Ami Sioux - Tokyo 35°N","permalink":"ami-sioux-tokyo-35n","position":11,"url":"/product/ami-sioux-tokyo-35n","status":"sold-out","created_at":"2018-10-04T11:30:36.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247201556/IMG_9326.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1350,"height":1800},{"url":"https://assets.bigcartel.com/product_images/247202021/IMG_9540.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":1200},{"url":"https://assets.bigcartel.com/product_images/247202024/IMG_9541.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":1200},{"url":"https://assets.bigcartel.com/product_images/247202015/IMG_9539.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":1200},{"url":"https://assets.bigcartel.com/product_images/247202018/IMG_9542.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":1800,"height":1200}],"price":3000.0,"default_price":3000.0,"tax":0.0,"on_sale":false,"description":"This is the first book in the new series TOO MUCH: Romantic Geographic Archive. This series will focus on archiving individual memory of place, providing invaluable documentation of a world in a state of flux.\r\n\r\nWe begin with the work of American photographer Ami Sioux. Ami Sioux Tokyo 35ºN focuses on people and their unique places of importance within the city they inhabit. Creating a poetic account of Tokyo, Ami Sioux Tokyo 35ºN features carefully collected and curated hand-drawn maps and personal narrations from 50 contributors. Among those represented are artists and designers, writers and poets, filmmakers and photographers, living in Tokyo. Over a period of three years, and throughout every season, Ami has journeyed to the places depicted in these maps, taking photographs that express the intimate experience of each person in each of their chosen spaces.\r\n\r\nIn an exceedingly commercial cityscape, Ami Sioux Tokyo 35ºN illuminates the spaces that are often unseen, those away from the glaring lights of stores, those that are concealed and secluded. The book is privy to places that provide a sanctuary, a place to think, a moment of connection. Taking many different forms and appearing throughout various neighborhoods, these places are rooftops and rivers, tree-lined avenues, bridges and skate spots.\r\n\r\nAlthough this book is about an individual’s connection to a space, it implicitly captures Tokyo at a certain moment in time, providing invaluable documentation of a city constantly reinventing itself.","has_option_groups":false,"options":[{"id":183670936,"name":"Ami Sioux - Tokyo 35°N","price":3000.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":true,"isAlmostSoldOut":true}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":600.0,"amount_with_others":600.0}]},{"id":48796264,"name":"Issue 7 – Work 1 ","permalink":"issue7","position":12,"url":"/product/issue7","status":"sold-out","created_at":"2018-06-29T07:48:32.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247202732/IMG_9308.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2250,"height":3000},{"url":"https://assets.bigcartel.com/product_images/247259033/IMG_9441.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247259036/IMG_9452.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247259039/IMG_9455.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247259030/IMG_9462.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600}],"price":2200.0,"default_price":2200.0,"tax":0.0,"on_sale":false,"description":"This is the first issue in a new Too Much series about work. The series will focus on a individuals and how they work upon the landscape and extract its resources, whether mineral, biological, psychological or social. As things in the world become increasingly anthropogenic, the way we view \"work\" must change — we are producing a new Earth.\r\n\r\nWe begin with photographer and traveler Naoki Ishikawa and his work over the past decade of climbing the highest peaks of the Himalayas. The work of ascending is slow and difficult, and involves more than physical training. To successfully climb Everest, K2, Lhotse or any other \"eight-thousander\" requires untangling a mess of Nepalese cultural politics, Asian geopolitics, unpredictable weather, emerging technology, fear and doubt. In this issue Naoki presents photographs and climbing diaries from his ascents in the Himalayas. He also speaks with New Zealand mountaineer Russell Brice in an extended interview about the modern experience of commercial climbing.\r\n\r\nThe first issue of our Work series is a view of a jagged and transparent landscape, one which does not care for humans.","has_option_groups":false,"options":[{"id":177258193,"name":"Issue 7 – Work 1 ","price":2200.0,"sold_out":true,"has_custom_price":false,"option_group_values":[]}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":600.0,"amount_with_others":600.0}]},{"id":48796276,"name":"Issue 6","permalink":"issue6","position":13,"url":"/product/issue6","status":"sold-out","created_at":"2018-06-29T07:49:32.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247202762/IMG_9307.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2250,"height":3000},{"url":"https://assets.bigcartel.com/product_images/247252640/IMG_9423.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247252643/IMG_9425.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247252649/IMG_9429.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247252646/IMG_9434.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600}],"price":2200.0,"default_price":2200.0,"tax":0.0,"on_sale":false,"description":"In the sixth issue of TOO MUCH: Magazine of Romantic Geography, we explore the experience of mingling the manmade and natural in an age when the boundaries between the two are becoming irrelevant.\r\n\r\nWe begin in the dark, in a cave in Indonesia containing the oldest examples of cave art. We head to the peak of a fake mountain embedded into an apartment block in China. We retell the history of the constructed sacred forest around Tokyo's Meiji Shrine, and document the street gardens of the city. We visit a gas-clouded sulfur mine in Java, a landscape where workers still extract minerals by hand, and then go to the Falkland Islands to reflect on war, species and evolution after Darwin.\r\n\r\nAlthough this issue is about our experience of manmade nature, it's also, implicitly but importantly, about the planet's experience of us.","has_option_groups":false,"options":[{"id":177258229,"name":"Issue 6","price":2200.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":false,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":1000.0,"amount_with_others":1000.0}]},{"id":48796285,"name":"Issue 5","permalink":"issue5","position":14,"url":"/product/issue5","status":"sold-out","created_at":"2018-06-29T07:51:16.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247202792/IMG_9306.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2250,"height":3000},{"url":"https://assets.bigcartel.com/product_images/247252502/IMG_9514.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247252505/IMG_9517.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247252511/IMG_9518.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247252508/IMG_9519.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600}],"price":2000.0,"default_price":2000.0,"tax":0.0,"on_sale":false,"description":"This issue of TOO MUCH is about looking at the body in space, and ways in which we have biologically and socially entered into the built environment, and how we are then changed into the process. We explore many ideas where space enters the body. We investigate these themes and how space and structures have hereby entered us: where the chair we sit upon, also sits upon us.\r\n\r\nEach copy of Issue Five comes with \"TOO MUCH Magazine supplement #3, \" an A5 size, 24 page art book by Japanese artist Himaa.","has_option_groups":false,"options":[{"id":183590350,"name":"Issue 5","price":2000.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":true,"isAlmostSoldOut":true}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":600.0,"amount_with_others":600.0}]},{"id":58406600,"name":"Issue 4","permalink":"issue-4","position":15,"url":"/product/issue-4","status":"sold-out","created_at":"2019-10-23T16:25:38.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247203512/IMG_9302.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2250,"height":3000},{"url":"https://assets.bigcartel.com/product_images/247249802/IMG_9494.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249808/IMG_9501.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249811/IMG_9505.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249805/IMG_9511.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600}],"price":2000.0,"default_price":2000.0,"tax":0.0,"on_sale":false,"description":"This issue of Too Much is about looking into the hidden things which animate spaces, at some ways in which space has been black boxed. Not with the goal of laying bare the mecahnisms which animate spaces but to hint at the impossibility of understanding the opaque layers of information and experience which accumulate around us; “a black box that can be opened is not a black box.” (Von Hilgers, 2011).\r\n\r\nEach copy of Issue Four comes with \"TOO MUCH Magazine Supplement #2,\" an A2 size poster by Koki Tanaka, who will represent Japan at the 2013 Venice Biennale.","has_option_groups":false,"options":[{"id":212191007,"name":"Issue 4","price":2000.0,"sold_out":false,"has_custom_price":false,"option_group_values":[],"isLowInventory":true,"isAlmostSoldOut":false}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":1000.0,"amount_with_others":1000.0}]},{"id":58406702,"name":"Issue 3","permalink":"issue-3","position":16,"url":"/product/issue-3","status":"sold-out","created_at":"2019-10-23T16:29:37.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247203842/IMG_9305.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2250,"height":3000},{"url":"https://assets.bigcartel.com/product_images/247249721/IMG_9362.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249727/IMG_9367.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249730/IMG_9374.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249724/IMG_9379.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600}],"price":2000.0,"default_price":2000.0,"tax":0.0,"on_sale":false,"description":"Issue three of TOO MCUH is about migrant people, the things they carry, and the mirages calling them forth: about bodies migrating to the realm of the dead, about travelling to where your garments are made (not the other way around), about the migration of colours, the movement of Zambian money and sweet potatoes, traveling across networks of ideas and associations, immigrating to a land that isn't receptive to foreigners, and about where Tokyo's migrant workers will live in the year 2050.\r\n\r\nEach copy of TOO MUCH Magazine Issue Three, comes with \"TOO MUCH Magazine Recipe Supplement #1,\" an A2 size poster of recipe by Jerome Waag and Alice Waters from Chez Panisse. 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However due to the enormity of the 2011 Tohoku Earthquake and Tsunami, this theme for Issue 2 revolves around rebuilding. Articles, essays and interviews deal with the construction of ideal cities, the virtue of building shelter, experiment in relocating (to the countryside, or jungle, or desert), and possibilities for living in different ways.\r\n\r\nEach copy of Issue two comes with \"London 1991-1992\" a 40 page supplement of photographs by Takashi Homma.","has_option_groups":false,"options":[{"id":212191460,"name":"Issue 2","price":1500.0,"sold_out":true,"has_custom_price":false,"option_group_values":[]}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":600.0,"amount_with_others":600.0}]},{"id":58406798,"name":"Issue 1","permalink":"issue-1","position":18,"url":"/product/issue-1","status":"sold-out","created_at":"2019-10-23T16:34:26.000Z","has_password_protection":false,"images":[{"url":"https://assets.bigcartel.com/product_images/247204178/IMG_9296.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2250,"height":3000},{"url":"https://assets.bigcartel.com/product_images/247249241/IMG_9334.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249247/IMG_9335.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249244/IMG_9337.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600},{"url":"https://assets.bigcartel.com/product_images/247249250/IMG_9338.jpg?auto=format\u0026fit=max\u0026h=1000\u0026w=1000","width":2400,"height":1600}],"price":1500.0,"default_price":1500.0,"tax":0.0,"on_sale":false,"description":"The first issue of TOO MUCH Magazine features long interviews with two foreign associate architects from Japanese architecture unit SANAA (a discussion about Tokyo), film director Mike Mills (about his documentary on antidepressants in Japan), stylist Nicola Formichetti (about creativity and double culture). You'll find articles about skateboarding and buildings, an image report on the construction of a skateboard bowl by internationally acclaimed photographer Taro Hirano, a parasite magazine made by design unit Abake, Taro Igarashi's look at \"Gigantic Architecture by Japanese Sects,\" as well as pieces cover art, fashion, the environment, and physics.","has_option_groups":false,"options":[{"id":212191670,"name":"Issue 1","price":1500.0,"sold_out":true,"has_custom_price":false,"option_group_values":[]}],"artists":[],"categories":[],"option_groups":[],"shipping":[{"amount_alone":0.0,"amount_with_others":0.0,"country":{"id":25,"name":"Japan","code":"JP"}},{"amount_alone":600.0,"amount_with_others":600.0}]}]